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	<title>Witty Books</title>
	<link>https://witty-books.com</link>
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	<pubDate>Wed, 21 Oct 2026 15:12:05 +0000</pubDate>
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		<pubDate>Sat, 27 Oct 2018 18:00:28 +0000</pubDate>

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		<title>A Study on Waitressing - Eleonora Agostini (second edition)</title>
				
		<link>https://witty-books.com/A-Study-on-Waitressing-Eleonora-Agostini-second-edition</link>

		<pubDate>Wed, 21 Oct 2026 15:12:05 +0000</pubDate>

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A Study on
Waitressing



Eleonora Agostini

168 Pages23x28 cmSoft cover
Editing Tommaso Parrillo

Graphic design

by Massimiliano PaceText by

Joanna Walsh

Published in November 2026
Second editionISBN 979-12-80177-79-7Witty Books #124
€42

38€Pre-order here︎︎Shipments expected mid NovemberFirst 50 copies at special price






	
	
	
	


Eleonora Agostini's A Study on
Waitressing is a multi-layered investigation on waitressing used as a
metaphor to explore ideas of gender behaviours, societal
expectations, and performing in and for the public.


The
work scrutinizes the fictionalized image of the ‘waitressing
woman’, by exploring the stage, the backstage, and the performative
aspects of this role.


Agostini
looks at mundane gestures and postures, commonplace objects and
materials, strategies and visual codes of the service industry
context to reflect upon power and gender dynamics, labour,
representation, and the gaze.


Central
to the project is the figure of Agostini’s mother, whose postures,
movements, and behaviours serve as a focal point. This figure becomes
a vehicle to explore the visible and hidden aspects of identity,
emphasizing the social roles performed in daily interactions. The
restaurant setting acts as a microcosm where the body mediates
between observer and observed, highlighting the theatricality
inherent in everyday life.




A
Study on Waitressing delves into the relationship between labour and
personal life, between vulnerability and strength, between the public
and private, between the observer and the observed, and between a
mother and daughter.Award

Aperture - Paris Photo book award 2025 - WinnerLes Rencontres d’Arles Book Awards 2025 - Shortlisted


Best photobook 2024Lensculture
Review
Collector Daily
Press
Internazionale







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	<item>
		<title>Murk - Nico Krijno</title>
				
		<link>https://witty-books.com/Murk-Nico-Krijno</link>

		<pubDate>Wed, 14 Oct 2026 11:31:38 +0000</pubDate>

		<dc:creator>Witty Books</dc:creator>

		<guid isPermaLink="true">https://witty-books.com/Murk-Nico-Krijno</guid>

		<description>
	&#60;img width="7843" height="5229" width_o="7843" height_o="5229" data-src="https://freight.cargo.site/t/original/i/9cc20ed09963fc8e67b10df32d8944fda57b5d497491a0cafcd9f8915be4d17f/sito.jpg" data-mid="253411926" border="0"  src="https://freight.cargo.site/w/1000/i/9cc20ed09963fc8e67b10df32d8944fda57b5d497491a0cafcd9f8915be4d17f/sito.jpg" /&#62;
	

MurkNico Krijno24x30 cm184pagesSoft coverEditing and art direction by Tommaso ParrilloGraphic design by Ilaria MiottoPublished in October&#38;nbsp; 2026ISBN 979-12-80177-76-6Witty #12339 35€Pre-order here︎︎
Shipments expected mid November
First 50 copies at special price
Go to the special editionNico Krijno is losing his sight.

This book came out of that fact, but it is not a document of loss, nor an elegy for vision. It is an

examination of looking itself, and what happens when seeing can no longer be taken for 
granted.

Krijno has never treated photography as a reliable window onto the world. His images are built, 
painted, cut, copied, obscured, rearranged and photographed again. A photograph becomes

an object. An object becomes an image. Something familiar becomes strange, then strangely 
familiar again.

We are living through a period of constant uncertainty and upheaval. Both nature and culture 
seem to be showing signs of disruption. Have we perhaps over-adapted to a world that cannot give us what we are looking for? 
There is a growing need for images and symbols that remind us of the beauty and connections that still exist, however fractured things might appear.

MURK comes out of this uncertainty.&#38;nbsp;
There is no straight line through the book, no single narrative. Images echo one another, return 
in altered forms and contradict themselves. The process is intuitive and physical. Krijno builds,

destroys and rebuilds, allowing things to go wrong. An image is pushed until it begins to lose 
its certainty.

A photograph has always carried the promise of evidence. But it can only ever give us a fragment. The rest is filled in by memory, imagination and expectation.

Krijno is interested in that gap between seeing something and knowing what it is. He describes 
image-making as a private, physical practice, closer to prayer than production. A way of paying attention, of trying to make sense of a world that cannot always be made sense of. 
There are no answers here. Only questions about photography, perception, the times we are living through, and what might still be possible.&#38;nbsp;
The images are not trying to explain the world. They are trying to open it up.






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	<item>
		<title>Moroccan Fossil Trade - Max Miechowski</title>
				
		<link>https://witty-books.com/Moroccan-Fossil-Trade-Max-Miechowski</link>

		<pubDate>Wed, 14 Oct 2026 11:01:24 +0000</pubDate>

		<dc:creator>Witty Books</dc:creator>

		<guid isPermaLink="true">https://witty-books.com/Moroccan-Fossil-Trade-Max-Miechowski</guid>

		<description>
	&#60;img width="8118" height="5412" width_o="8118" height_o="5412" data-src="https://freight.cargo.site/t/original/i/fc1ba054de2d5ec32abcda5f75addf73f87c74f20f689881a2d427460dc787fc/sito-1.jpg" data-mid="253412074" border="0"  src="https://freight.cargo.site/w/1000/i/fc1ba054de2d5ec32abcda5f75addf73f87c74f20f689881a2d427460dc787fc/sito-1.jpg" /&#62;
	

Moroccan Fossil TradeMax Miechowski24x30 cm56 pagesSoft coverEditing and art direction by Tommaso ParrilloGraphic design by Ilaria MiottoPublished in October&#38;nbsp; 2026ISBN 979-12-80177-78-0Witty #12227€Order here︎︎
Shipment expected mid November


Photographs by Max Miechowski, captured in 2025 across the Tafilalt and Anti-Atlas regions of southeastern Morocco, document a remarkable intersection of ancient history and contemporary livelihood. In these remote desert landscapes, remnants of an ancient seabed are painstakingly excavated by hand, transforming prehistoric marine life into globally traded commodities. This visual essay explores the intricate journey of fossils, from raw geological extraction by local miners to their preparation by artisans for markets around the world.






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	<item>
		<title>Ana M. El Tesoro - Raquel Bravo Iglesias</title>
				
		<link>https://witty-books.com/Ana-M-El-Tesoro-Raquel-Bravo-Iglesias</link>

		<pubDate>Tue, 13 Oct 2026 10:46:39 +0000</pubDate>

		<dc:creator>Witty Books</dc:creator>

		<guid isPermaLink="true">https://witty-books.com/Ana-M-El-Tesoro-Raquel-Bravo-Iglesias</guid>

		<description>
	&#60;img width="8224" height="5483" width_o="8224" height_o="5483" data-src="https://freight.cargo.site/t/original/i/b05bff1d5ec032e505b54bc30ae9d0de089e441685be5337011bda034c465e05/sito-2.jpg" data-mid="253412231" border="0"  src="https://freight.cargo.site/w/1000/i/b05bff1d5ec032e505b54bc30ae9d0de089e441685be5337011bda034c465e05/sito-2.jpg" /&#62;
	

Ana M. El Tesoro Raquel Bravo Iglesias24x31 cm176 pagesSoft coverEditing and art direction by Tommaso ParrilloGraphic design by Ilaria MiottoPublished in October&#38;nbsp; 2026ISBN 979-12-80177-72-8Witty #12133 30€Order here︎︎

Ana M. El Tesoro begins with a domestic archive found in the attic of Ana M., a resident of Llaranes, a workers’ settlement built in the 1950s around the state-owned steel company 
ENSIDESA in Avilés, Asturias, on the northern coast of Spain. Conceived under Francoism as a 
model of industrial and social order, the neighbourhood embodied an ideal of progress that extended beyond the factory into everyday life. Rooted in the artist’s personal relationship with 
both Ana M. and the territory, the project explores what remains outside this official representation. 
Bringing photographs, objects and domestic traces into dialogue with institutional and industrial 
records, the research constructs a counter-archive whose associative logic is shaped by Ana M.’s experience of schizophrenia, with ambivalence sustaining the coexistence of contradictory 
meanings. As the industrial landscape undergoes demolition and transformation, other histories emerge: the documented but unmarked mass graves of Francoist repression, the domestic labour 
that sustained industrial production, and the violence exerted on women’s bodies.





&#60;img width="2143" height="3000" width_o="2143" height_o="3000" data-src="https://freight.cargo.site/t/original/i/0796bfdb97540876bc22ef02788347efcf1109b5ec7fa9fbd9e49fa8523f84e5/04_Ana-M-El-Tesoro_Raquel-Bravo_.jpg" data-mid="253254992" border="0"  src="https://freight.cargo.site/w/1000/i/0796bfdb97540876bc22ef02788347efcf1109b5ec7fa9fbd9e49fa8523f84e5/04_Ana-M-El-Tesoro_Raquel-Bravo_.jpg" /&#62;
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	</item>
		
		
	<item>
		<title>Light Exercises for the Spirit - Krisztián Éder</title>
				
		<link>https://witty-books.com/Light-Exercises-for-the-Spirit-Krisztian-Eder</link>

		<pubDate>Wed, 05 Aug 2026 11:47:47 +0000</pubDate>

		<dc:creator>Witty Books</dc:creator>

		<guid isPermaLink="true">https://witty-books.com/Light-Exercises-for-the-Spirit-Krisztian-Eder</guid>

		<description>
	
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Light Exercises for the SpiritKrisztián Éder24x30 cm112 pagesHard cover Editing and art direction by Tommaso ParrilloGraphic design by Ilaria MiottoPublished in September&#38;nbsp; 2026ISBN 979-12-80177-70-4Witty #120&#38;nbsp;36€Order here︎︎




Light Exercises for the Spirit brings together photographs made between 2016 and 2025.
Rather than being conceived as a single project, the work developed gradually through a number of distinct sequences made over nearly a decade.
Moving between family photographs, portraits, landscapes and everyday observations, the book unfolds through association rather than chronology. Images echo across sequences, places, years and emotional states: domestic interiors sit alongside quiet landscapes, moments of intimacy dissolve into absence, and ordinary gestures acquire new significance through their proximity to one another.
The book grew out of a need to process the events that shaped these years, and the ways they altered my understanding of time, intimacy and home. Approached with quiet curiosity, the photographs became a way of remaining with these experiences without reducing them to a single meaning.

Neither memoir nor documentary, Light Exercises for the Spirit unfolds through the fragmented logic of memory, where sorrow and hope, closeness and distance, coexist rather than resolve.








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</description>
		
	</item>
		
		
	<item>
		<title>Stones have always slept beneath the open sky - Carlotta Valente</title>
				
		<link>https://witty-books.com/Stones-have-always-slept-beneath-the-open-sky-Carlotta-Valente</link>

		<pubDate>Wed, 07 Oct 2026 09:50:10 +0000</pubDate>

		<dc:creator>Witty Books</dc:creator>

		<guid isPermaLink="true">https://witty-books.com/Stones-have-always-slept-beneath-the-open-sky-Carlotta-Valente</guid>

		<description>
	
&#60;img width="5594" height="3729" width_o="5594" height_o="3729" data-src="https://freight.cargo.site/t/original/i/0afeaaa74e8bb7274713d3a73e71a6caf807cff60ba514d2593c96848b928a8c/01_fotolibro.jpg" data-mid="252962967" border="0"  src="https://freight.cargo.site/w/1000/i/0afeaaa74e8bb7274713d3a73e71a6caf807cff60ba514d2593c96848b928a8c/01_fotolibro.jpg" /&#62;
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Stones have always slept beneath the open skyCarlotta Valente24x32 cm120 pagesSoft coverEditing and art direction by Tommaso ParrilloGraphic design by Ilaria MiottoText by 

Davide Lunerti, Lucilla Conigliello, Vanni Moggi Cecchi

Published in September 2026ISBN 979-12-80177-74-2Witty #11928€ Order here︎︎Supported by Strategia Fotografia 2025 promoted by Direzione Generale Creatività Contemporanea of the Italian Ministry of Culture


Stones have always slept beneath the open sky brings together a series of photographic works made in dialogue with the litho-mineralogical collections of the Museo di Storia Naturale La Specola in Florence.

The project developed through the study of minerals, rocks and other specimens preserved in the museum collection, which became the starting point for a series of images made using historical photographic processes. The photographs explore the encounter between two surfaces capable of recording traces: the surface of the stone and the photosensitive surface of the photographic print.

Moving between geological, photographic and astronomical forms of time, the work considers the apparent stillness of both stone and image. What appears fixed is instead the result of processes unfolding across radically different scales: pressure, erosion, sedimentation and mineral transformation on one side; exposure, chemical reaction and the gradual alteration of the printed matter on the other.

The project brings together these different temporalities without attempting to reconcile them. Photography becomes a way of observing matter as it changes, while the museum collection provides a context in which objects formed over immense periods of time are brought into relation with the much shorter duration of human observation.

Stones have always slept beneath the open sky reflects on photography not simply as a means of representing matter, but as another material surface in which time, light and transformation leave their traces.









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	<item>
		<title>Rivoluzione - Massimo Sordi</title>
				
		<link>https://witty-books.com/Rivoluzione-Massimo-Sordi</link>

		<pubDate>Wed, 22 Jul 2026 13:32:50 +0000</pubDate>

		<dc:creator>Witty Books</dc:creator>

		<guid isPermaLink="true">https://witty-books.com/Rivoluzione-Massimo-Sordi</guid>

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&#60;img width="10417" height="6250" width_o="10417" height_o="6250" data-src="https://freight.cargo.site/t/original/i/24c95684a1ea17bf5236b1352524bf8b03b2969d5d3746b379a832dd46a3b5a8/Sordi_Rivoluzione1.jpg" data-mid="250617530" border="0"  src="https://freight.cargo.site/w/1000/i/24c95684a1ea17bf5236b1352524bf8b03b2969d5d3746b379a832dd46a3b5a8/Sordi_Rivoluzione1.jpg" /&#62;
&#60;img width="10417" height="6250" width_o="10417" height_o="6250" data-src="https://freight.cargo.site/t/original/i/9617e75a3caec685b55c953214aae04f553498514c3f4e21e8c8bf1466566450/Sordi_Rivoluzione2.jpg" data-mid="250617531" border="0"  src="https://freight.cargo.site/w/1000/i/9617e75a3caec685b55c953214aae04f553498514c3f4e21e8c8bf1466566450/Sordi_Rivoluzione2.jpg" /&#62;
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&#60;img width="10417" height="6250" width_o="10417" height_o="6250" data-src="https://freight.cargo.site/t/original/i/9b3920a41da90e4b2c26273a6a1b6b42f2102258584fd134d53e77db52bdb432/Sordi_Rivoluzione5.jpg" data-mid="250617534" border="0"  src="https://freight.cargo.site/w/1000/i/9b3920a41da90e4b2c26273a6a1b6b42f2102258584fd134d53e77db52bdb432/Sordi_Rivoluzione5.jpg" /&#62;
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&#60;img width="10417" height="6250" width_o="10417" height_o="6250" data-src="https://freight.cargo.site/t/original/i/3b82cff84cb2943a7d2b4b8177784b987267320bb508303b63183ad005a57ba7/Sordi_Rivoluzione8.jpg" data-mid="250617536" border="0"  src="https://freight.cargo.site/w/1000/i/3b82cff84cb2943a7d2b4b8177784b987267320bb508303b63183ad005a57ba7/Sordi_Rivoluzione8.jpg" /&#62;
&#60;img width="10417" height="6250" width_o="10417" height_o="6250" data-src="https://freight.cargo.site/t/original/i/d03d68c7bdbf354ec0262e524a621efad3d987ce88d1855aa8a16c8755b25afd/Sordi_Rivoluzione9.jpg" data-mid="250617537" border="0"  src="https://freight.cargo.site/w/1000/i/d03d68c7bdbf354ec0262e524a621efad3d987ce88d1855aa8a16c8755b25afd/Sordi_Rivoluzione9.jpg" /&#62;

	

RivoluzioneMassimo Sordi24x30 cm48+20 pagesSoft coverEdited by Stefania Rössl, Tommaso ParrilloDesign by Damiano Fraccaro/ Otium StudioText by Fabio Matano, Stefania Rössl, Samuele VincentiPublished in July 2026ISBN 979-12-80177-73-5Witty #11823€Order here︎︎Rivoluzione by Massimo Sordi approaches the Italian coastline as a field of interacting forces shaped by continuous transformation. The cliffs of Ortona become the site of an observation that registers the coexistence of erosion and persistence, disintegration and resistance, within a balance constantly exposed to its own redefinition. Landscape emerges not as a fixed or measurable form, but as a temporal materiality in perpetual transformation, in which every configuration retains traces of its constitutive instability.

Attentive to the geomorphological nature of the site, the photographic image renders perceptible a stratified temporality in which different scales of time overlap and interfere with one another. Rock surfaces, shaped by the action of the sea and atmospheric agents, emerge as material archives, sites of sedimentation where the territory retains the traces of the processes that traverse it. Erosion thus appears not merely as a physical phenomenon, but as a critical device that unsettles the very notion of stable, permanent, and completed form. Landscape reveals itself as a transitional condition, continually reconfigured through the interaction of processes of accumulation, subtraction, and collapse. Terrestrial movements and cosmic cycles introduce a further shift in scale, expanding the relationship between territory, time, and representation. Images drawn from the astronomical writings of Galileo Galilei and from Donato Rossetti’s Sistemi del Mondo d’Aristotile, Copernico e Ticone introduce an additional layer of interpretation, in which the very notion of&#38;nbsp;
“revolution” acquires physical, geological, and cosmological meanings simultaneously.





This publication is part of the 'Whes the Sea Moves In series' and has been funded by European Union, NextGenerationEU, as part of the PNRR project “National Biodiversity Future Center” M4C2 I1.4 of the National Research Council

www.mic.democenterlecce.it





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		<title>Atlas Undarum - Giulia Parlato</title>
				
		<link>https://witty-books.com/Atlas-Undarum-Giulia-Parlato</link>

		<pubDate>Wed, 22 Jul 2026 13:22:49 +0000</pubDate>

		<dc:creator>Witty Books</dc:creator>

		<guid isPermaLink="true">https://witty-books.com/Atlas-Undarum-Giulia-Parlato</guid>

		<description>
	
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&#60;img width="10417" height="6250" width_o="10417" height_o="6250" data-src="https://freight.cargo.site/t/original/i/17aea56f7e25b04ab2d00d2d3fea84ac986d8579bd91061943a19fac27f7c2c8/Parlato_AtlasUndarum9.jpg" data-mid="250617342" border="0"  src="https://freight.cargo.site/w/1000/i/17aea56f7e25b04ab2d00d2d3fea84ac986d8579bd91061943a19fac27f7c2c8/Parlato_AtlasUndarum9.jpg" /&#62;

	

Atlas UndarumGiulia Parlato

24x30 cm48+20 pagesSoft coverEdited by Stefania Rössl, Tommaso ParrilloDesign by Damiano Fraccaro/ Otium StudioText by Fabio Matano, Stefania Rössl, Samuele VincentiPublished in July 2026ISBN 979-12-80177-71-1Witty #11723€Order here︎︎

Atlas Undarum by Giulia Parlato removes the sea from its phenomenological and landscape evidence, reframing it as a knowledge device that is operationally reproducible and modelable. The attention to the experimental laboratory space — itself the subject of the photographs — does not merely represent

the phenomenon, but reorganises its conditions of intelligibility through processes of scaled reconstruction. Wave motion is thus segmented, discretised, and rendered analytically accessible through experimental setups that isolate individual processual components, translating the continuity of the phenomenon into operational sequences.

Photographic images escape the distinction between documentation and abstraction, operating as hybrid surfaces. Sediments, water, and miniaturised elements constitute a visual field in which experiment, model, and landscape no longer appear as separate categories, instead assuming the form of transitional states within a single material and semiotic configuration. What is revealed is not the representation of a given landscape, but rather the set of operations through which it is progressively constructed as an object of observation and knowledge. The image thus becomes the site of a continuous negotiation between physical phenomena, technical systems, and interpretative practices, making visible the mediating processes that structure the production of scientific knowledge. The landscape takes shape through a constellation of devices, measurements, and visualisation procedures that progressively articulate its conditions of legibility and interpretation.





This publication is part of the 'Whes the Sea Moves In series' and has been funded by European Union, NextGenerationEU, as part of the PNRR project “National Biodiversity Future Center” M4C2 I1.4 of the National Research Council

www.mic.democenterlecce.it





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		<title>Layers - Giorgio Di Noto</title>
				
		<link>https://witty-books.com/Layers-Giorgio-Di-Noto</link>

		<pubDate>Wed, 22 Jul 2026 09:52:10 +0000</pubDate>

		<dc:creator>Witty Books</dc:creator>

		<guid isPermaLink="true">https://witty-books.com/Layers-Giorgio-Di-Noto</guid>

		<description>
	
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LayersGiorgio Di Noto

24x30 cm48+16 pagesSoft cover Edited by Stefania Rössl, Tommaso Parrillo Design by Damiano Fraccaro/ Otium StudioText by Fabio Matano, Stefania Rössl, Samuele 

Vincenti

Published in July 2026ISBN 979-12-80177-75-9Witty #11623€Order here︎︎Layers by Giorgio Di Noto addresses coastal erosion by moving away from the direct representation of its morphological effects on the landscape and focusing instead on the systems through which such transformations are observed, measured, interpreted, and simulated. The project adopts a perspective that moves across different sites of evidence production — from sediment analysis laboratories and hydrodynamic simulation facilities to digital environments for monitoring and modelling — bringing together heterogeneous scientific practices that contribute to the contemporary construction of the coastal landscape. The work also includes a series of images devoted to the sea surface itself, where wave motion conveys the force of the natural phenomenon in its most immediate and observable form. This dimension of direct recording is placed in dialogue with the spaces in which technological and infrastructural systems make the phenomenon intelligible.

A broader reflection on the relationship between image, science, and environment emerges from the project, which examines the role of photography through the lens of techno-scientific research. Representation no longer coincides with the simple recording of reality, but with the elaboration of epistemic processes through which landscape is transformed into a measurable and governable sur- face. Coastal erosion thus becomes a cultural and cognitive framework through which to observe the ways contemporary territory is analysed, simulated, and administered.





This publication is part of the 'Whes the Sea Moves In series' and has been funded by European Union, NextGenerationEU, as part of the PNRR project “National Biodiversity Future Center” M4C2 I1.4 of the National Research Council

www.mic.democenterlecce.it





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