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Talita Otović

Altær is a publication that combine a book by Zoé Chauvet and a music cassette by Talita Otović.
Winner of the Ear/eye award 2022
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Design by Aurora Saita and Tommaso Parrillo
Published in May 2023

€20  (book + cassette)
Buy here︎︎

A Chronicle (a soundtrack to Jacopo Benassi's MEIWO)


  1. A Chronicle Pt.1
  2. A Chronicle Pt.2

MEIWO is a publication that combine a book by the visual artist Jacopo Benassi and a music cassette from the band Larsen.
Winner of the Ear/eye award 2021.
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Design by Giulia Boccarossa
Published in November 2021

€35  (book + cassette)
€43 (book + cassette + digital album)
Buy here︎︎

Mondo decay

Nun Gun

The Spectre (feat. Michael Salu)
Stealth Empire (feat. Mark Stewart)
Beef Diet
Gold Mine (feat. ONO)
More Viscous Than Dawn (feat. Luiza Prado)
Excusable Homicide
On Neurath's Boat (feat. Farbod Kokabi w / Mourning [A] BLKstar)
The Aesthetics of Hunger
Under The Throne (feat. Sohail Daulatzai)
Addio Zio Sam
I Used to Wear a Face (feat. Blake Butler)
America Addio

Mondo Decay is a publication that combine a book by the visual artist Brad Feuerhelm and a music cassette from the band Nun Gun.
Winner of the Ear/eye award 2020
︎︎︎Go to the book

500 copies
Design by Alice Figus
Published in January 2021 

€35 (book + cassette)
€43 (book + cassette + digital album)
Go to the shop︎︎

Nun Gun is a band comprised of artist Brad Feuerhelm and musicians Lee Tesche and Ryan Mahan from the band Algiers. Experimental in form, the project Mondo Decay refers to the group's use of Italian Mondo Cannibal Films of the 70s and 80s. The original soundtracks of these films have been enlisted, changed and mutated from such classic films as Cannibal Ferox, Cannibal Holocaust and Zombi. The experimental form of the work is in its slowed and broken down examination of the original soundtracks.

The group have engineered a "Goth N' Screwed" version of the material based largely on Houston's DJ Screw's model of similar repute. The photographic images included by Feuerhelm offer a further note on what an accelerated post-industrial world of fragmentized urbanity could look like. The exoticism found in original Mondo films has been subverted to look at the failings of capitalism in the West instead of the "savage" tropical climes as employed by the genre's directors. Nun Gun purports to flip the lens on what is exotic now and what life feels like under the extended lockdown and racialized moment.